Vox has introduced a new version of its well-established Hand Wired series of hand-soldered amplifiers. This method is the same as that used in the earliest Vox amplifiers at the turn of the 1950s and 1960s. It represents a return to original circuit designs and manufacturing techniques, more akin to the practices of today’s “boutique” manufacturers. Theoretically, these amplifiers are also easier to service: instead of printed circuit boards (PCBs), the amplifier is constructed directly with components mounted on “eyelets.” While this may be a somewhat more complex concept for the average user, the result—due in part to these changes in circuit design and construction—is a sound that differs from that of the Vox Classic series, which is manufactured in China.With this reintroduction of the Hand Wired series, Vox has offered four models: the classic two-speaker AC30 combo and the single-speaker models AC15, AC10, and AC4.
This article focuses on the AC10 model.The AC10 is based on a design that was reintroduced to production in 2015 after a long absence since the 1960s, in the form of the AC10C1 model within the Classic series. This variant enjoyed considerable popularity, serving as a replacement for the widely favored AC15 for many users, making its inclusion in the Hand Wired series a logical step.In terms of appearance, the classic Vox design remains visually appealing and will likely continue to do so for decades. Beyond its aesthetics, the combo features several significant improvements over the Classic series. The first is the use of a larger cabinet fitted with a 12-inch speaker rather than the previous 10-inch speaker. Another key enhancement is the inclusion of a genuine spring reverb, which retains Vox’s distinctive sonic character. While with some brands setting the reverb above a level of 3 results in an indistinct sound, Vox has consistently ensured that its reverb maintains a clear tonal quality and balance, making it usable even when set to moderate or higher levels.
For players seeking an atmospheric sound, it is possible to use the reverb at full setting without hesitation. Its tonal profile lies between a classic spring reverb and a hall effect, making it suitable for virtually any playing style; the player simply needs to find the right balance.Another improvement appreciated by many is the addition of an effects loop, which can be completely disengaged via a switch—a feature that reassures purists. When switched off, the loop is fully removed from the signal path, ensuring that an unconnected loop does not alter the sound. This switch also provides a solution in cases where the effects loop jack becomes dirty or damaged—a common issue for guitarists who frequently use effects loops. The loop offers two signal level options for the Send: +4 dB and -10 dB, allowing compatibility with virtually any effect.
The sound is precisely what one expects from a quality Vox amplifier. The amplifier is equipped with a single channel, the classic Top Boost circuit. In addition to the Volume control, it features Treble and Bass tone controls configured in the traditional Vox configuration, where the Treble control also affects the balance of bass frequencies and vice versa. This requires a brief period of adjustment, but it is a characteristic that players familiar with Vox amplifiers readily adapt to. In this model, the tone controls appear to be voiced to provide an excellent baseline sound even in their middle positions. By adjusting the balance between them, the player can achieve a wide range of tones, from pronounced midrange to rich highs and bass, and everything in between. The clean sound is characteristically bright and chimey. However, Vox amplifiers have long been renowned for their subtly saturated or overdriven tones, and this combo excels in these domains as well. With the channel Volume set to maximum and the tone controls appropriately positioned, it is possible to achieve a tone reminiscent of Brian May’s sound—famously produced with AC30s and a treble booster—without the need for an external effect.The Master Volume control facilitates playing at reasonable volumes. The amplifier’s 10-watt output, delivered by two EL84 power tubes, provides ample power for performances and band rehearsals. The 12-inch Celestion Greenback speaker, rated at 25 watts, is an excellent choice.
Thanks to the well-proportioned cabinet, the combo avoids a “boxed-in” sound, delivering solid bass response and a clear, well-defined tone across the frequency spectrum. Compared to a full-sized AC30, it is significantly more portable. This smaller footprint is also likely to be appreciated by sound engineers and fellow band members, as it takes up less space in a vehicle.Initial reservations about the necessity of this model alongside the well-established AC15 quickly dissipated after a few minutes of handling and playing. The AC10 strikes an ideal size for a tube combo in today’s context of small venues, travel by car or public transport, and rehearsals. The Hand Wired series carries a higher price due to the time and skilled labor required to hand-wire these complex circuits. However, the audible benefits of this construction are evident, and Vox has delivered a product that sounds excellent. For those seeking a new Vox amplifier that combines reliability and outstanding tone for years of use, this is a compelling choice.
MICHAL KUJAN
Music Park – www.music-park.sk – Price: 1,379 €